Oct
17

‘The Last Goodbye’ Film Launch

Invitation to Film Launch ‘The Last Goodbye’

UPDATE: 2:30 SESSION IS FULLY BOOKED. EXTRA SCREENING AT 4PM.

The culmination of a year’s work and more of planning is set to launch on November 8 2015 in the first screening of our film for the ‘Memories of War’ project.

Join us for the premiere screening of ‘The Last Goodbye,’ a film about remembering World War 1 in Ballarat.

Where and when: Sunday November 8, 2:30pm, Museum of Australian Democracy at Eureka. THIS SESSION IS FULLY BOOKED.

Extra session Sunday November 8, 4pm, Museum of Australian Democracy at Eureka. Free Screening.

Bookings: http://made.org/whats-on/memories-of-war-launch/

Read More

Oct
16

Painting Stories – Aunty Marlene Gilson

By Lucinda Horrocks, 16 October 2015.

“I realise the dispossession of Aboriginal people and the legacy of racist colonialism is still present in the bones of my home”

Aunty Marlene Gilson’s paintbrush is tiny. It’s narrow as a twig, a fraction the width of her thumbnail. She holds it poised in one hand while rummaging for paint amongst the crumpled tubes lying randomly on a chair next to her. She talks constantly, nervous because we are there. “Where’s the red?” she says. “You know, I can never find it. “ She dips the brush into the paint tube with a practised gesture. “I’m not supposed to do it this way”, she says, “but it’s easier”. She leans close to the large canvas and traces a line, a thread of colour. Bright pigments. Red first. Then yellow, then white. She is lighting a campfire, the simple colours morphing into flames before my eyes. “I wasn’t going to light the fire but I think it looks better.” She dabs on a bit of white and black with a dirty sponge. “That’s the smoke”, she says. And indeed it is, drifting lazily past some tiny figures around a campfire.

 “That’s done.” She says.

  Read More

Oct
16

Seeing the Land from an Aboriginal Canoe

 

Info

Commissioned by: Culture Victoria

Produced: 2015

Length: 10.27 minutes

Uncle Bryon Powell

Uncle Bryon Powell, Wadawurrung Elder, talks about stories of canoe use by Wadawurrung people. Interviewed on the banks of the Barwon River, Geelong. Still by Jary Nemo

FedSquare---Fred-Cahir

Associate Professor Fred Cahir on the Big Screen, Fed Square, July 2015. Photograph by Jary Nemo.

Culture Victoria project

The Culture Victoria project included a full image gallery with archival images, extended audio interviews, and a specifically commissioned documentary.

Story Objects

The Culture Victoria story objects included film, audio and images with curatorial text created by Wind & Sky Productions and three specifically commissioned historical essays written by Fred Cahir and Lucinda Horrocks.

IND_Badge-hc

Waggoners Fording a Stream, Illustrated Australian News, engraver FW Sleap, 1883, courtesy of the State Library of Victoria.

Jamie Lowe, Djabwurrung man. Still by Jary Nemo.

Associate Professor Fred Cahir. Still by Jary Nemo.

 

 

The Story

On the rivers of remote Victoria, 19th century European settlers depended on Aboriginal navigators and canoe builders to transport goods, stock and people.

The Aboriginal bark canoe was a technology in demand in regional Victoria in the 1800s. Explorers and drovers, gold miners and settlers used Aboriginal ferrying services and boat building services to conduct trade and transport. Stories abound of trade, canoeing, and heroic rescues on rivers such as the Murray, Goulburn, Campaspe, Ovens and Loddon, shedding light on the generosity, resourcefulness and ingenuity of the Indigenous inhabitants and of the trading relationships formed between Aboriginal people and European colonists. Indeed it could be argued that the waterways skills of Aboriginal Australians were integral to the early economic viability of Victoria.

Multimedia Project

Wind & Sky Productions produced a short documentary film and multimedia gallery for Culture Victoria, curating the online exhibition and producing the text, video, audio and visual content. The project was launched on the 27 May 2015 to mark the beginning of National Reconciliation Week 2015. The documentary film screened at the Big Screen at Federation Square, Melbourne, from the 5-11 July 2015 as part of NAIDOC Week 2015. The project featured interviews with the historian Associate Professor Fred Cahir and Traditional Owners Uncle Bryon Powell, Jamie Lowe and Rick Nelson, and included artwork, maps and photographs from the regional and metropolitan collections of the State Library of Victoria, the Art Gallery of Ballarat, Public Record Office Victoria, Museum Victoria and the Ballarat Gold Museum. Three short historical essays written by Fred Cahir and Lucinda Horrocks were also specially produced for the project. The project was freely available to access by the public from 2015-2022, when the Culture Victoria Portal closed.

Screenings

Online: https://youtu.be/K9QmxoY0TQ0

April 2022, Lonely Wolf International Film Festival Spring Edition

18 June 2017, St Andrews Film Society, St Andrews

26-28 May 2017, Gnarwirring Ngitj Festival, Sovereign Hill Ballarat

28 April 2017, Setting Sun Short Film Festival, Yarraville

28 September 2016, Australian Limnology Conference, Ballarat

July 2016, 2016 NAIDOC Week Special Screening, Child and Family Services (CAFS), Ballarat

27 May 2016, Phee Broadway Theatre, Castlemaine, Reconciliation Week Screenings

9-10 April 2016, Lake Bolac Eel Festival, Lake Bolac

12-14 March 2016, Geelong Wooden Boat Festival, Geelong

20 February 2016, Geelong Environmental Film Festival, Geelong

21 November 2015, Castlemaine Local and International Film Festival (CLIFF), Castlemaine

5-11 July 2015, The Big Screen, Federation Square, Melbourne

Awards

Nominee – Jary Nemo, Outstanding Achievement in Documentary Cinematography, Lonely Wolf International Film Festival, London, Spring 2022.

Nominee – Jary Nemo, Outstanding Achievement in Documentary Editing, Archival Usage & Assembly, Lonely Wolf International Film Festival, London, Spring 2022.

Finalist, Best Cultural Diversity, Setting Sun Short Film Festival, Yarraville, 2017.

Finalist, Best Documentary Metro, Setting Sun Short Film Festival, Yarraville, 2017.

Museums and Galleries National Awards (MAGNA Awards) 2016, Highly Commended, Indigenous Project or Keeping Place, Level 2.

Media

Lucinda Horrocks, ‘seeing the land from an Aboriginal canoe’, Association Magazine, Art Gallery of Ballarat, Autumn 2017, pp.30-33.

Fred Cahir and Lucinda Horrocks, ‘Seeing the Land from an Aboriginal Canoe’, Park Watch Magazine, September 2016 No 266, pp 24-25.

Larissa Romensky, ‘Documentary film explores significance of Aboriginal entrepreneurship in Victoria during colonial times’, ABC Central Victoria, 19 November 2015, http://www.abc.net.au/news/2015-11-19/documentary-film-explores-significance-of-aboriginal-transport/6954288

Shane Fowles, ‘Seeing the Land from an Aboriginal Canoe documentary details indigenous assistance to settlers’, Geelong Advertiser, 7 July 2015, http://www.geelongadvertiser.com.au/news/geelong/seeing-the-land-from-an-aboriginal-canoe-documentary-details-indigenous-assistance-to-settlers/story-fnjuhovy-1227430795289

Lucinda Horrocks radio interview, Breakfast with Dominic Brine, 107.9 ABC Ballarat, 6 July 2015.

Melissa Cunningham, ‘Ballarat’s Aboriginal history set to light up big screen’, Ballarat Courier, 2 July 2015, http://www.thecourier.com.au/story/3185898/unknown-history-explored/

Film Credits

Produced by:
Jary Nemo and Lucinda Horrocks
Production Company:
Wind & Sky Productions
Directed and edited by:
Jary Nemo
Written and researched by:
Fred Cahir and Lucinda Horrocks
Featuring:
Fred Cahir, Uncle Bryon Powell, Jamie Lowe, Rick Nelson
Camera and Sound:
Jary Nemo
Interviews:
Lucinda Horrocks
Archival images courtesy of:
The Art Gallery of Ballarat and The State Library of Victoria.
With thanks to:
Uncle Frank Abrahams, Aunty Vicki Abrahams, John Blythman, Lauren Bourke, Maxine Briggs, Leonie Cameron, Charlotte Christie, Ian Clark, Jeremy Clark, Brett Dunlop, Peter Freund, Richard Gillespie, Barbara Huggins, Karmen Jobling, Tracey Manallack, Rosemary McInerney, Julie McLaren, Kimberley Moulton, Gordon Morrison, Grattan Mullett, Uncle Bill Nicholson, Melanie Raberts, Felicity Say, Vic Say, Aunty Loraine Sellings, Jeanette Tasker, Miriam Troon, Roger Trudgeon, John Tully, Uncle Larry Walsh, Simone Werts, John Young, the Art Gallery of Ballarat, the Ballarat Mechanics Institute, Brambuk National Park & Cultural Centre, Dja Dja Wurrung Clans Aboriginal Corporation, Dunolly & District History, the Gold Museum Ballarat, Federation University Australia, the Koori Heritage Trust, Lake Tyers Aboriginal Trust, Museum Victoria, the Public Record Office Victoria, the State Library of Victoria, the Wathaurung Aboriginal Corporation, and the Wurundjeri Tribe Land and Compensation Cultural Heritage Council.
Commissioned by:
Culture Victoria
Funded by:
Creative Victoria
Acknowledgement:
This film was created for the Culture Victoria website (www.cv.vic.gov.au) with the support of the Victorian Government through Creative Victoria. Film production and development took place on the traditional lands of the Djab Wurrung, Dja Dja Wurrung, Jardwadjali, Wadawurrung (Wathaurung), and Woiwurrung peoples. We would like to acknowledge these traditional owners and pay our respects to their Elders, past and present.
Copyright with:
© Wind & Sky Productions 2015.

Project Credits

Project Acknowledgements:
Development and filming for this project took place on the traditional lands of the Dja Dja Wurrung, Djab Wurrung, Jardwadjali, Wadawurrung (Wathaurung) and Woiwurrung speaking peoples. The team was also privileged to consult with and to be granted permission to use images and artwork from Taungurung, Yorta Yorta and Gunai/Kurnai speaking peoples. The project team acknowledges the traditional owners of the lands on which we live and work and we pay our respect to their Elders, past and present. Many people worked on this project and helped make it a reality. We thank them all.
Project Team
Creative Producers:
Jary Nemo and Lucinda Horrocks
Production Company:
Wind & Sky Productions
Film Director:
Jary Nemo
Writing and research:
Fred Cahir and Lucinda Horrocks
Cast:
Fred Cahir, Uncle Bryon Powell, Jamie Lowe, Rick Nelson
Acknowledgments by Institution
Art Gallery of Ballarat:
Peter Freund, Julie McLaren, Gordon Morrison
Australian National Maritime Museum:
David Payne
Ballarat Mechanics Institute:
John Blythman, Rosemary McInerney
Brambuk National Park and Cultural Centre:
Uncle Frank Abrahams, Aunty Vicki Abrahams, Jeremy Clark, Jamie Lowe
BrainTrain:
Bill Horrocks, Heather Horrocks
Castlemaine ANTaR:
Rick Nelson, Paulette Nelson, Felicity Say, Vic Say
Cummerugunja Local Aboriginal Land Council:
Rebecca Atkinson
Culture Victoria:
Dimity Mapstone, Eleanor Whitworth, Tanya Wolkenberg
Dja Dja Wurrung Clans Aboriginal Corporation:
Barbara Huggins
Dunolly Museum:
John Tully
Federation University Australia:
Fred Cahir, Ian Clark, John McDonald
Footscray Community Arts Centre:
Uncle Larry Walsh
Gunaikurnai Land & Waters Aboriginal Land Corporation:
Grattan Mullett
Koori Heritage Trust:
Nerissa Broben, Charlotte Christie
Lake Tyers Aboriginal Trust:
Leonie Cameron, Aunty Lorraine Sellings, Jeanette Tasker
Museum Victoria:
Richard Gillespie, Kimberley Moulton, Melanie Raberts, Miriam Troon
Public Record Office Victoria:
Lauren Bourke, Tracey Manallack
Sovereign Hill Museums Association: Gold Museum, Ballarat:
Brett Dunlop, Roger Trudgeon
State Library of Victoria:
Maxine Briggs
Wathaurung Aboriginal Corporation trading as Wadawurrung:
Uncle Bryon Powell, John Young, Simone Werts
Wind & Sky Productions:
Lucinda Horrocks, Jary Nemo
Wurundjeri Tribe Land and Compensation Cultural Heritage Council Incorporated:
Uncle Colin Hunter, Karmen Jobling, Aunty Alice Kolasa, Uncle Bill Nicholson, Charley Woolmore
Yorta Yorta Nation Aboriginal Corporation:
Aunty Janice Muir, Aunty Elsie Bailey, Ruben Baksh
Commissioned by:
Culture Victoria
Funded by:
Creative Victoria
Copyright with:
Content Producers and Collection Holders.

 

 

 

Jul
26

The Savoy Ladies Group

 

This short documentary follows Rosa, President of the Savoy Ladies Group, as she tells the story of Italians in the North-East, tobacco farming, women, family and friendship.

Every fortnight for thirty years members of the Myrtleford Savoy Ladies Group have met to play tombola, create plays, go on excursions and maintain their Italian heritage. The group was founded in 1983 to combat the social isolation of Italian women tobacco farmers in the Ovens Valley. This film takes an observational look at the group’s modern day activities, through the eyes of Rosa, the group president. In the process the film sheds light on the difficulties faced by post-war Italian women migrants in North-East Victoria, their part in the local agricultural industry and their contribution to a distinctive and unique culture.

The Savoy Ladies Group documentary film was supported through funding from the Australian Government’s Your Community Heritage Program.

Screenings

Setting Sun Short Film Festival, Sun Theatre, Yarraville, 14-18 April 2016.

Museo Italiano (Melbourne Launch), 29 March 2014.

Savoy Club Myrtleford (Myrtleford Launch), 13 March 2014.

Online

The film is free to view online and has been released under a Creative Commons Attribution 4.0 license CC-BY. To watch on YouTube visit https://youtu.be/NrE-XH_kq3s

Awards

Setting Sun Laurel

Winner, Best Film Cultural Diversity, Setting Sun Short Film Festival 2016

Finalist, Best Documentary Metropolitan, Setting Sun Short Film Festival 2016

Finalist, Best Film Overall Metropolitan, Setting Sun Short Film Festival 2016

Finalist, the Dressmaker Award for Female Filmmakers, Setting Sun Short Film Festival 2016

Credits

Produced by:
Samantha Dinning, Lucinda Horrocks and Jary Nemo
Production Company:
Wind & Sky Productions
Directed and Edited by:
Jary Nemo
Written by:
Samantha Dinning and Lucinda Horrocks
Featuring:
Rosa Volpe
Rosa’s Lunch Guests (in alphabetical order) :
Gabriella Bettio, Franca Cobbe, Silvana Colombara, Pippa Laspina, Kay Maggenti, Anna Elsa Matassoni, Maria Mautone
Camera and Sound:
Jary Nemo
Interviews:
Lucinda Horrocks
Research and Concept:
Samantha Dinning
Images courtesy of:
Rosa Volpe, The Savoy Ladies Group
‘Quel Mazzolin Di Fiori’ (traditional) performed by:
Members of the Myrtleford Savoy Ladies Group, 2013
With thanks to:
Paolo Baracchi, Franca Cobbe, Rosa DiFazio, Linley & Colleen Horrocks, Emily Kocaj, Jan Mock, Alexander Parise, Rick Watt, Alpine Shire, Co.As.It Italian Historical Society, the Immigration Museum, Motel on Alpine and the Myrtleford Savoy Sporting Club Inc. A very special thanks to the members of the Myrtleford Savoy Ladies Group, past and present.
The Savoy Ladies Group documentary film
is supported through funding from the Australian Government’s Your Community Heritage Program.
Distribution License:
This film is licensed under a Creative Commons Attribution 4.0 International license. You are free to share and adapt this work for any purpose under the condition you appropriately credit Wind & Sky Productions, Samantha Dinning Lucinda Horrocks and Jary Nemo as the original creators and copyright owners of the material, include the original film URL http://www.windsky.com.au/savoy-ladies-group/, and indicate if changes were made to the content. For more information visit http://creativecommons.org/licenses/by/4.0/. All other use requires permission.
Copyright with:
© Wind & Sky Productions Pty Ltd, Samantha Dinning, Lucinda Horrocks and Jary Nemo 2014.

 

 

May
27

Canoe Project Sheds Light on Hidden Aboriginal History

1 July 2015 (revised)

A new project about bark canoes reveals a forgotten history of encounters between Aboriginal Victorians and settlers in the 1800s.

On the rivers of remote colonial Victoria, 19th century European settlers depended on Aboriginal navigators and canoe builders to transport goods, mail and people.

A documentary and multimedia project, now live on Culture Victoria, explores this little known aspect of colonial history through a short documentary film, image gallery, audio interviews and three short educational essays.

The film was screened on the Big Screen at Fed Square every day from the 5-11 July 2015 as part of NAIDOC week 2015.

Read More

Apr
14

‘Memories of War’ Project Now Accepting FedUni Student Submissions

The Memories of War project is now accepting FedUni student contributions. Submissions will be open until August 2015.

Read More

Apr
10

The Howard Family – M.A.D.E Digital Stories

 

Info

Client: Museum of Australian Democracy at Eureka

Produced: 2014

Length: 4.07 minutes

Shane Howard The Eureka Flag Ballarat Reform League Charter, Bakery Hill Meeting

Ella Hancock is 98 years old and she is one degree of separation from Eureka. Her grandfather Patrick Howard fought in the stockade. Patrick Howard was arrested after the uprising, but escaped trial because his gun wasn’t loaded. Celebrated musician Shane Howard is Patrick Howard’s great-grandson. In this short film Shane and Ella reflect on Patrick’s involvement at the Stockade, the factors which drove Patrick to migrate from Ireland and fight for his rights on the Ballarat goldfields, and they discuss the legacy of the Eureka Stockade today.

Wind & Sky Productions produced four short digital stories for the Museum of Australian Democracy at Eureka as part of the commemoration of the 160th Anniversary of the Eureka Stockade. The films are on permanent display in the Museum touchtable exhibition.

Screenings

On permanent display, Museum of Australian Democracy at Eureka, Ballarat.

Credits

Produced by:
Jary Nemo and Lucinda Horrocks
Production Company:
Wind & Sky Productions
Directed and edited by:
Jary Nemo
Written and researched by:
Lucinda Horrocks
Featuring:
Ella Hancock and Shane Howard
Camera and Sound:
Jary Nemo
Interviews:
Lucinda Horrocks
Archival images courtesy of:
Ballarat and District Irish Club, Ella Hancock, J J Harrison, Gold Museum, Ballarat, John Oxley Library, State Library of Queensland, The Public Records Office of Victoria, The State Library of Victoria.
With thanks to:
Catriona Banks, Clare Gervasoni, Adele Howard, Clair Muir and Teresa O’Brien.
Commissioned by:
Jane Smith, Museum of Australian Democracy at Eureka.
Funded by:
Victorian Department of Premier and Cabinet.
Acknowledgement:
We give thanks to the Wathaurung people of the Kulin Nation, the traditional owners of the land where the Eureka Stockade took place, and pay respect to their Elders past and present.
Copyright with:
© M.A.D.E. Ballarat 2014. All rights reserved.

 

 

Apr
10

Val D’Angri – M.A.D.E Digital Stories

 

Info

Client: Museum of Australian Democracy at Eureka

Produced: 2014

Length: 4.32 minutes

Val D'Angri, 2014 Val D'Angri and the Eureka Flag, 1973
Sewing the Eureka Flag
Life in a Tent, inset, Eugene Von Guerard, Ballarat r.m. Tent z. Sud West. 28 July n August 1853’

In late 1972 high school sewing teacher Val D’Angri was asked to hand stitch the Eureka Flag onto a custom built backing. She undertook the labour intensive restoration work over a two week period in May 1973 in the Oddie Gallery, at the Art Gallery of Ballarat (then known as the Ballarat Fine Art Gallery). In this short film Val recalls what she felt on seeing the flag for the first time, her emotions on touching and restoring the flag, and the hours of back breaking work it took to finish the project. Val argues that the way the flag was constructed points to women having made it. She speculates what life must have been like for those rebellious women in the Spring of Eureka, November 1854.

Wind & Sky Productions produced four short digital stories for the Museum of Australian Democracy at Eureka as part of the commemoration of the 160th Anniversary of the Eureka Stockade. The films are on permanent display in the Museum touchtable exhibition.

Screenings

On permanent display, Museum of Australian Democracy at Eureka, Ballarat.

Credits

Produced by:
Jary Nemo and Lucinda Horrocks
Production Company:
Wind & Sky Productions
Directed and edited by:
Jary Nemo
Written and researched by:
Lucinda Horrocks
Featuring:
Val D’Angri
Camera and Sound:
Jary Nemo
Interviews:
Lucinda Horrocks
Artwork:
‘The Three Gums’ © Hans Heysen/Licensed by Viscopy, 2014
Archival images courtesy of:
Ballarat City Council, Ballarat Historical Society, The Art Gallery of Ballarat, The Ballarat Courier, The Gold Museum, Ballarat, The National Library of Australia, The State Library of Victoria, Val and Norm D’Angri.
With thanks to:
Anne Beggs-Sunter, Norm D’Angri, Rita Cousens, Ursula Diamond-Keith, Andrew Eales, Edith Fry, Peter Freund, Claire Gervasoni, Merrilyn Harlock, Julie McLaren, Gordon Morrison, Claire Muir, Leslee Sullivan, Val Stevens and the Art Gallery of Ballarat.
Commissioned by:
Jane Smith, Museum of Australian Democracy at Eureka.
Funded by:
Victorian Department of Premier and Cabinet.
Acknowledgement:
We give thanks to the Wathaurung people of the Kulin Nation, the traditional owners of the land where the Eureka Stockade took place, and pay respect to their Elders past and present.
Copyright with:
© M.A.D.E. Ballarat 2014. All rights reserved.

 

 

Apr
8

Uncle Bryon Powell – M.A.D.E Digital Stories

 

Info

Client: Museum of Australian Democracy at Eureka

Produced: 2014

Length: 4.07 minutes

Uncle Bryon Powell

Sunrise over Winter's Swamp

Water Reeds, Winter's Swamp

Uncle Bryon Powell

Uncle Bryon Powell is a Wathaurung Elder. His family can trace its descent to the traditional owners of the land around the Ballarat region. At Wathaurung Corporation, Uncle Bryon maintains links with Ballarat’s Indigenous past and culture through ceremony, education and consultation. The story of Indigenous people during the time of Eureka has not been told, argues Uncle Bryon. In this film Uncle Bryon introduces the undisturbed location of Winter’s Swamp, near Ballarat, which contains remnants of Indigenous inhabitation going back hundreds, perhaps thousands of years. He talks about what life was like for Indigenous people before colonisation and details the resilience and adaptability of Wathaurung people on the goldfields in the face of the challenge to their culture and the transformation of their land.

Wind & Sky Productions produced four short digital stories for the Museum of Australian Democracy at Eureka as part of the commemoration of the 160th Anniversary of the Eureka Stockade. The films are on permanent display in the Museum touchtable exhibition.

Screenings

On permanent display, Museum of Australian Democracy at Eureka, Ballarat.

21 November 2015, Castlemaine Local and International Film Festival (CLIFF)

Credits

Produced by:
Jary Nemo and Lucinda Horrocks
Production Company:
Wind & Sky Productions
Directed and edited by:
Jary Nemo
Written and researched by:
Lucinda Horrocks
Featuring:
Uncle Bryon Powell
Camera and Sound:
Jary Nemo
Interviews:
Lucinda Horrocks
Archival images courtesy of:
The Gold Museum, Ballarat, The State Library of Victoria, The National Gallery of Victoria, The W.L. Crowther Library, Tasmanian Archive and Heritage Office.
With thanks to:
Adrian Burrow, Fred Cahir, Ian Clark, Gary Presland, Claire Muir, Hedley Thomson, the Ballarat Environment Network (BEN), the Department of Environment and Primary Industries (DEPI), and the Wathaurung Aboriginal Corporation.
Commissioned by:
Jane Smith, Museum of Australian Democracy at Eureka.
Funded by:
Victorian Department of Premier and Cabinet.
Acknowledgement:
We give thanks to the Wathaurung people of the Kulin Nation, the traditional owners of the land where the Eureka Stockade took place, and pay respect to their Elders past and present.
Copyright with:
© M.A.D.E. Ballarat 2014. All rights reserved.

 

 

Apr
8

Aunty Marlene Gilson – M.A.D.E Digital Stories

 

Info

Client: Museum of Australian Democracy at Eureka

Produced: 2014

Length: 4.19 minutes

Aunty Marlene Gilson A Queen Mary of Ballarat Aunty Marlene in the Art Gallery of Ballarat AM_2

Aunty Marlene Gilson is a Wathaurung (Wadawarrung) Elder living on country in Gordon, near Ballarat. A visual artist who discovered painting later in life, Aunty Marlene’s paintings explore Aboriginal myth and stories of the goldfields. Her work is marked by a naive style which references her Indigenous and European ancestry. She is a descendent of King Billy, an Indigenous tribal leader of the Ballarat region at the time of the Eureka Stockade, and his wife Queen Mary. In this short film Aunty Marlene describes the stories she depicts in her paintings ‘Mount Warrenheip and Eureka Stockade’ (2013) and ‘Life on the Goldfields’ (2014). She talks of life for her ancestor King Billy, the wearing of breast plates, Indigenous women’s skills of basket weaving and textiles, and she speculates on what Indigenous people must have felt at the time of Eureka.

Wind & Sky Productions produced four short digital stories for the Museum of Australian Democracy at Eureka as part of the commemoration of the 160th Anniversary of the Eureka Stockade. The films are on permanent display in the Museum touchtable exhibition.

Screenings

On permanent display, Museum of Australian Democracy at Eureka, Ballarat.

21 November 2015, Castlemaine Local and International Film Festival (CLIFF)

Credits

Produced by:
Jary Nemo and Lucinda Horrocks
Production Company:
Wind & Sky Productions
Directed and edited by:
Jary Nemo
Written and researched by:
Lucinda Horrocks
Featuring:
Aunty Marlene Gilson
Camera and Sound:
Jary Nemo
Interviews:
Lucinda Horrocks
Artwork:
‘Mount Warrenheip and Eureka Stockade’ © Marlene Gilson, 2013, ‘Life on the Goldfields’ © Marlene Gilson, 2014.
Archival images courtesy of:
Art Gallery of Ballarat, Ballarat Historical Society, Old Colonists Club, Ballarat, The Gold Museum, Ballarat, State Library of Victoria.
With thanks to:
Fred Cahir, Ian Clark, Peter Freund, Clare Gervasoni, Barry Gilson, Deanne Gilson, Gordon Morrison, David Miller, Claire Muir, Janice Newton, Roger Trudgeon, the Old Colonists Club Ballarat, and the Art Gallery of Ballarat.
Commissioned by:
Jane Smith, Museum of Australian Democracy at Eureka.
Funded by:
Victorian Department of Premier and Cabinet.
Acknowledgement:
We give thanks to the Wathaurung people of the Kulin Nation, the traditional owners of the land where the Eureka Stockade took place, and pay respect to their Elders past and present.
Copyright with:
© M.A.D.E. Ballarat 2014. All rights reserved.