Oct
16

Seeing the Land from an Aboriginal Canoe

 

Info

Commissioned by: Culture Victoria

Produced: 2015

Length: 10.27 minutes

Uncle Bryon Powell

Uncle Bryon Powell, Wadawurrung Elder, talks about stories of canoe use by Wadawurrung people. Interviewed on the banks of the Barwon River, Geelong. Still by Jary Nemo

FedSquare---Fred-Cahir

Associate Professor Fred Cahir on the Big Screen, Fed Square, July 2015. Photograph by Jary Nemo.

Culture Victoria project

The Culture Victoria project included a full image gallery with archival images, extended audio interviews, and a specifically commissioned documentary.

Story Objects

The Culture Victoria story objects included film, audio and images with curatorial text created by Wind & Sky Productions and three specifically commissioned historical essays written by Fred Cahir and Lucinda Horrocks.

IND_Badge-hc

Waggoners Fording a Stream, Illustrated Australian News, engraver FW Sleap, 1883, courtesy of the State Library of Victoria.

Jamie Lowe, Djabwurrung man. Still by Jary Nemo.

Associate Professor Fred Cahir. Still by Jary Nemo.

 

 

The Story

On the rivers of remote Victoria, 19th century European settlers depended on Aboriginal navigators and canoe builders to transport goods, stock and people.

The Aboriginal bark canoe was a technology in demand in regional Victoria in the 1800s. Explorers and drovers, gold miners and settlers used Aboriginal ferrying services and boat building services to conduct trade and transport. Stories abound of trade, canoeing, and heroic rescues on rivers such as the Murray, Goulburn, Campaspe, Ovens and Loddon, shedding light on the generosity, resourcefulness and ingenuity of the Indigenous inhabitants and of the trading relationships formed between Aboriginal people and European colonists. Indeed it could be argued that the waterways skills of Aboriginal Australians were integral to the early economic viability of Victoria.

Multimedia Project

Wind & Sky Productions produced a short documentary film and multimedia gallery for Culture Victoria, curating the online exhibition and producing the text, video, audio and visual content. The project was launched on the 27 May 2015 to mark the beginning of National Reconciliation Week 2015. The documentary film screened at the Big Screen at Federation Square, Melbourne, from the 5-11 July 2015 as part of NAIDOC Week 2015. The project features interviews with the historian Associate Professor Fred Cahir and Traditional Owners Uncle Bryon Powell, Jamie Lowe and Rick Nelson, and includes artwork, maps and photographs from the regional and metropolitan collections of the State Library of Victoria, the Art Gallery of Ballarat, Public Record Office Victoria, Museum Victoria and the Ballarat Gold Museum. Three short historical essays written by Fred Cahir and Lucinda Horrocks were also specially produced for the project.

Screenings

Online: http://www.cv.vic.gov.au/stories/aboriginal-culture/seeing-the-land-from-an-aboriginal-canoe/

18 June 2017, St Andrews Film Society, St Andrews

26-28 May 2017, Gnarwirring Ngitj Festival, Sovereign Hill Ballarat

28 April 2017, Setting Sun Short Film Festival, Yarraville

28 September 2016, Australian Limnology Conference, Ballarat

July 2016, 2016 NAIDOC Week Special Screening, Child and Family Services (CAFS), Ballarat

27 May 2016, Phee Broadway Theatre, Castlemaine, Reconciliation Week Screenings

9-10 April 2016, Lake Bolac Eel Festival, Lake Bolac

12-14 March 2016, Geelong Wooden Boat Festival, Geelong

20 February 2016, Geelong Environmental Film Festival, Geelong

21 November 2015, Castlemaine Local and International Film Festival (CLIFF), Castlemaine

5-11 July 2015, The Big Screen, Federation Square, Melbourne

Awards

Museums and Galleries National Awards (MAGNA Awards) 2016, Highly Commended, Indigenous Project or Keeping Place, Level 2.

Finalist, Best Cultural Diversity, Setting Sun Short Film Festival, Yarraville, 2017.

Finalist, Best Documentary Metro, Setting Sun Short Film Festival, Yarraville, 2017.

Media

Lucinda Horrocks, ‘seeing the land from an Aboriginal canoe’, Association Magazine, Art Gallery of Ballarat, Autumn 2017, pp.30-33.

Fred Cahir and Lucinda Horrocks, ‘Seeing the Land from an Aboriginal Canoe’, Park Watch Magazine, September 2016 No 266, pp 24-25.

Larissa Romensky, ‘Documentary film explores significance of Aboriginal entrepreneurship in Victoria during colonial times’, ABC Central Victoria, 19 November 2015, http://www.abc.net.au/news/2015-11-19/documentary-film-explores-significance-of-aboriginal-transport/6954288

Shane Fowles, ‘Seeing the Land from an Aboriginal Canoe documentary details indigenous assistance to settlers’, Geelong Advertiser, 7 July 2015, http://www.geelongadvertiser.com.au/news/geelong/seeing-the-land-from-an-aboriginal-canoe-documentary-details-indigenous-assistance-to-settlers/story-fnjuhovy-1227430795289

Lucinda Horrocks radio interview, Breakfast with Dominic Brine, 107.9 ABC Ballarat, 6 July 2015.

Melissa Cunningham, ‘Ballarat’s Aboriginal history set to light up big screen’, Ballarat Courier, 2 July 2015, http://www.thecourier.com.au/story/3185898/unknown-history-explored/

Project Link

http://www.cv.vic.gov.au/stories/aboriginal-culture/seeing-the-land-from-an-aboriginal-canoe/

Film Credits

Produced by:
Jary Nemo and Lucinda Horrocks
Production Company:
Wind & Sky Productions
Directed and edited by:
Jary Nemo
Written and researched by:
Fred Cahir and Lucinda Horrocks
Featuring:
Fred Cahir, Uncle Bryon Powell, Jamie Lowe, Rick Nelson
Camera and Sound:
Jary Nemo
Interviews:
Lucinda Horrocks
Archival images courtesy of:
The Art Gallery of Ballarat and The State Library of Victoria.
With thanks to:
Uncle Frank Abrahams, Aunty Vicki Abrahams, John Blythman, Lauren Bourke, Maxine Briggs, Leonie Cameron, Charlotte Christie, Ian Clark, Jeremy Clark, Brett Dunlop, Peter Freund, Richard Gillespie, Barbara Huggins, Karmen Jobling, Tracey Manallack, Rosemary McInerney, Julie McLaren, Kimberley Moulton, Gordon Morrison, Grattan Mullett, Uncle Bill Nicholson, Melanie Raberts, Felicity Say, Vic Say, Aunty Loraine Sellings, Jeanette Tasker, Miriam Troon, Roger Trudgeon, John Tully, Uncle Larry Walsh, Simone Werts, John Young, the Art Gallery of Ballarat, the Ballarat Mechanics Institute, Brambuk National Park & Cultural Centre, Dja Dja Wurrung Clans Aboriginal Corporation, Dunolly & District History, the Gold Museum Ballarat, Federation University Australia, the Koori Heritage Trust, Lake Tyers Aboriginal Trust, Museum Victoria, the Public Record Office Victoria, the State Library of Victoria, the Wathaurung Aboriginal Corporation, and the Wurundjeri Tribe Land and Compensation Cultural Heritage Council.
Commissioned by:
Culture Victoria
Funded by:
Creative Victoria
Acknowledgement:
This film was created for the Culture Victoria website (www.cv.vic.gov.au) with the support of the Victorian Government through Creative Victoria. Film production and development took place on the traditional lands of the Djab Wurrung, Dja Dja Wurrung, Jardwadjali, Wadawurrung (Wathaurung), and Woiwurrung peoples. We would like to acknowledge these traditional owners and pay our respects to their Elders, past and present.
Copyright with:
© Wind & Sky Productions 2015.

Project Credits

Project Acknowledgements:
Development and filming for this project took place on the traditional lands of the Dja Dja Wurrung, Djab Wurrung, Jardwadjali, Wadawurrung (Wathaurung) and Woiwurrung speaking peoples. The team was also privileged to consult with and to be granted permission to use images and artwork from Taungurung, Yorta Yorta and Gunai/Kurnai speaking peoples. The project team acknowledges the traditional owners of the lands on which we live and work and we pay our respect to their Elders, past and present. Many people worked on this project and helped make it a reality. We thank them all.
Project Team
Creative Producers:
Jary Nemo and Lucinda Horrocks
Production Company:
Wind & Sky Productions
Film Director:
Jary Nemo
Writing and research:
Fred Cahir and Lucinda Horrocks
Cast:
Fred Cahir, Uncle Bryon Powell, Jamie Lowe, Rick Nelson
Acknowledgments by Institution
Art Gallery of Ballarat:
Peter Freund, Julie McLaren, Gordon Morrison
Australian National Maritime Museum:
David Payne
Ballarat Mechanics Institute:
John Blythman, Rosemary McInerney
Brambuk National Park and Cultural Centre:
Uncle Frank Abrahams, Aunty Vicki Abrahams, Jeremy Clark, Jamie Lowe
BrainTrain:
Bill Horrocks, Heather Horrocks
Castlemaine ANTaR:
Rick Nelson, Paulette Nelson, Felicity Say, Vic Say
Cummerugunja Local Aboriginal Land Council:
Rebecca Atkinson
Culture Victoria:
Dimity Mapstone, Eleanor Whitworth, Tanya Wolkenberg
Dja Dja Wurrung Clans Aboriginal Corporation:
Barbara Huggins
Dunolly Museum:
John Tully
Federation University Australia:
Fred Cahir, Ian Clark, John McDonald
Footscray Community Arts Centre:
Uncle Larry Walsh
Gunaikurnai Land & Waters Aboriginal Land Corporation:
Grattan Mullett
Koori Heritage Trust:
Nerissa Broben, Charlotte Christie
Lake Tyers Aboriginal Trust:
Leonie Cameron, Aunty Lorraine Sellings, Jeanette Tasker
Museum Victoria:
Richard Gillespie, Kimberley Moulton, Melanie Raberts, Miriam Troon
Public Record Office Victoria:
Lauren Bourke, Tracey Manallack
Sovereign Hill Museums Association: Gold Museum, Ballarat:
Brett Dunlop, Roger Trudgeon
State Library of Victoria:
Maxine Briggs
Wathaurung Aboriginal Corporation trading as Wadawurrung:
Uncle Bryon Powell, John Young, Simone Werts
Wind & Sky Productions:
Lucinda Horrocks, Jary Nemo
Wurundjeri Tribe Land and Compensation Cultural Heritage Council Incorporated:
Uncle Colin Hunter, Karmen Jobling, Aunty Alice Kolasa, Uncle Bill Nicholson, Charley Woolmore
Yorta Yorta Nation Aboriginal Corporation:
Aunty Janice Muir, Aunty Elsie Bailey, Ruben Baksh
Commissioned by:
Culture Victoria
Funded by:
Creative Victoria
Copyright with:
Content Producers and Collection Holders.

 

 

 

May
27

Canoe Project Sheds Light on Hidden Aboriginal History

1 July 2015 (revised)

A new project about bark canoes reveals a forgotten history of encounters between Aboriginal Victorians and settlers in the 1800s.

On the rivers of remote colonial Victoria, 19th century European settlers depended on Aboriginal navigators and canoe builders to transport goods, mail and people.

A documentary and multimedia project, now live on Culture Victoria, explores this little known aspect of colonial history through a short documentary film, image gallery, audio interviews and three short educational essays.

The film was screened on the Big Screen at Fed Square every day from the 5-11 July 2015 as part of NAIDOC week 2015.

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Apr
8

Uncle Bryon Powell – M.A.D.E Digital Stories

 

Uncle Bryon Powell

Info

Client: Museum of Australian Democracy at Eureka

Produced: 2014

Length: 4.07 minutes

Sunrise over Winter's Swamp

Water Reeds, Winter's Swamp

Uncle Bryon Powell

Uncle Bryon Powell is a Wathaurung Elder and Chair of Wathaurung Corporation. His family can trace its descent the traditional owners of the land around the Ballarat region. At Wathaurung Corporation, Uncle Bryon maintains links with Ballarat’s Indigenous past and culture through ceremony, education and consultation. The story of Indigenous people during the time of Eureka has not been told, argues Uncle Bryon. In this film Uncle Bryon introduces the undisturbed location of Winter’s Swamp, near Ballarat, which contains remnants of Indigenous inhabitation going back hundreds, perhaps thousands of years. He talks about what life was like for Indigenous people before colonisation and details the resilience and adaptability of Wathaurung people on the goldfields in the face of the challenge to their culture and the transformation of their land.

Wind & Sky Productions produced four short digital stories for the Museum of Australian Democracy at Eureka as part of the commemoration of the 160th Anniversary of the Eureka Stockade. The films are on permanent display in the Museum touchtable exhibition.

Screenings

On permanent display, Museum of Australian Democracy at Eureka, Ballarat.

21 November 2015, Castlemaine Local and International Film Festival (CLIFF)

Credits

Produced by:
Jary Nemo and Lucinda Horrocks
Production Company:
Wind & Sky Productions
Directed and edited by:
Jary Nemo
Written and researched by:
Lucinda Horrocks
Featuring:
Uncle Bryon Powell
Camera and Sound:
Jary Nemo
Interviews:
Lucinda Horrocks
Archival images courtesy of:
The Gold Museum, Ballarat, The State Library of Victoria, The National Gallery of Victoria, The W.L. Crowther Library, Tasmanian Archive and Heritage Office.
With thanks to:
Adrian Burrow, Fred Cahir, Ian Clark, Gary Presland, Claire Muir, Hedley Thomson, the Ballarat Environment Network (BEN), the Department of Environment and Primary Industries (DEPI), and the Wathaurung Aboriginal Corporation.
Commissioned by:
Jane Smith, Museum of Australian Democracy at Eureka.
Funded by:
Victorian Department of Premier and Cabinet.
Acknowledgement:
We give thanks to the Wathaurung people of the Kulin Nation, the traditional owners of the land where the Eureka Stockade took place, and pay respect to their Elders past and present.
Copyright with:
© M.A.D.E. Ballarat 2014. All rights reserved.

 

 

Apr
8

Aunty Marlene Gilson – M.A.D.E Digital Stories

 

AM_2

Info

Client: Museum of Australian Democracy at Eureka

Produced: 2014

Length: 4.19 minutes

Aunty Marlene Gilson A Queen Mary of Ballarat Aunty Marlene in the Art Gallery of Ballarat

Aunty Marlene Gilson is a Wathaurung (Wadawarrung) Elder living on country in Gordon, near Ballarat. A visual artist who discovered painting later in life, Aunty Marlene’s paintings explore Aboriginal myth and stories of the goldfields. Her work is marked by a naive style which references her Indigenous and European ancestry. She is a descendent of King Billy, an Indigenous tribal leader of the Ballarat region at the time of the Eureka Stockade, and his wife Queen Mary. In this short film Aunty Marlene describes the stories she depicts in her paintings ‘Mount Warrenheip and Eureka Stockade’ (2013) and ‘Life on the Goldfields’ (2014). She talks of life for her ancestor King Billy, the wearing of breast plates, Indigenous women’s skills of basket weaving and textiles, and she speculates on what Indigenous people must have felt at the time of Eureka.

Wind & Sky Productions produced four short digital stories for the Museum of Australian Democracy at Eureka as part of the commemoration of the 160th Anniversary of the Eureka Stockade. The films are on permanent display in the Museum touchtable exhibition.

Screenings

On permanent display, Museum of Australian Democracy at Eureka, Ballarat.

21 November 2015, Castlemaine Local and International Film Festival (CLIFF)

Credits

Produced by:
Jary Nemo and Lucinda Horrocks
Production Company:
Wind & Sky Productions
Directed and edited by:
Jary Nemo
Written and researched by:
Lucinda Horrocks
Featuring:
Aunty Marlene Gilson
Camera and Sound:
Jary Nemo
Interviews:
Lucinda Horrocks
Artwork:
‘Mount Warrenheip and Eureka Stockade’ © Marlene Gilson, 2013, ‘Life on the Goldfields’ © Marlene Gilson, 2014.
Archival images courtesy of:
Art Gallery of Ballarat, Ballarat Historical Society, Old Colonists Club, Ballarat, The Gold Museum, Ballarat, State Library of Victoria.
With thanks to:
Fred Cahir, Ian Clark, Peter Freund, Clare Gervasoni, Barry Gilson, Deanne Gilson, Gordon Morrison, David Miller, Claire Muir, Janice Newton, Roger Trudgeon, the Old Colonists Club Ballarat, and the Art Gallery of Ballarat.
Commissioned by:
Jane Smith, Museum of Australian Democracy at Eureka.
Funded by:
Victorian Department of Premier and Cabinet.
Acknowledgement:
We give thanks to the Wathaurung people of the Kulin Nation, the traditional owners of the land where the Eureka Stockade took place, and pay respect to their Elders past and present.
Copyright with:
© M.A.D.E. Ballarat 2014. All rights reserved.

 

 

Dec
12

Report of the First Week of December 2014

By Lucinda Horrocks 12 December 2014.

On the morning of the 3rd of December Jary and I woke blurry eyed, well before sunrise. At 3:30am we drove through a dark and silent Ballarat to Main Road, towards the glowing beacon of Sovereign Hill’s mining tower which after dark is always lit from below, where we joined a procession of cars in the otherwise empty street heading towards the museum’s entrance. At the brightly-lit reception, smiling staff in period costume ushered us, the blinking and the bewildered, into the museum’s 19th century streets.

So it started at 3am on the third of December. And it didn’t stop until Sunday the 7thth. In a special week, we got to celebrate many events to do with projects we have worked on over the last five years. Trust me, weeks like this are unusual.

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